Classical Drag blends the high camp, virtuosity and gender-fluid casting of opera with a series of dazzling drag performances. See Snow White Trash, Barbs, Beau Jangles, Freddie Love and Vinegar Strokes compete before a star-studded judging panel that includes Ru Paul’s Drag Race royalty Monét X Change and Thorgy Thor, plus queer operatic tenor megastar Nicky Spence.
Read More...The Fourth Choir, with conductor Nicholas Chalmers and presenter Petroc Trelawny, explore the 39-year relationship between Benjamin Britten and Peter Pears, featuring a new commission from Isobel Waller-Bridge, with text by a refugee relocated by Rainbow Railroad.
Read More...A series of performances showcasing the best young LGBTQ+ composers and performers from the London conservatoires.
Read More...Free public performance in the Barbican Foyer, performed by the Julius Eastman Ensemble directed by Stephen Upshaw.
Read More...With soloists Pavel Kolesnikov, Pumeza Matshikiza and Russell Thomas, an LGBTQ+ Community Choir and a world premiere by composer Jake Heggie.
Read More...There was a big proposition casually unpackaged at this, the first Classical Pride to be presented by a leading European orchestra...If one can distil Pride spirit, perhaps it was best captured by Spence, clad in a rainbow-fringed kilt and singing Robert Burns's My Love Is Like a Red, Red Rose with ripe abandon.
It was billed as the first-ever Classical Pride concert anywhere in Europe, which seems a surprising omission...Finally came Tchaikovsky's Romeo and Juliet, played with tremendous ardour and shrewd dramatic timing under Zeffman's baton.